In this paper, we argue that our moral concern for future well-being should reduce over time due to important practical considerations about how humans interact with spacetime. After surveying several of these considerations (around equality, special duties, existential contingency, and overlapping moral concern) we develop a set of core principles that can both explain their moral significance and highlight why this is inherently bound up with our relationship with spacetime. These relate to the equitable distribution of (1) moral concern in (...) a universe that we can only causally affect in one temporal direction; (2) access to the benefits from using spacetime as a resource; and (3) the burdens of care given (1) and (2). We conclude by considering the practical implications of our argument and find that, while it is often assumed that a preference for present over future well-being weakens the case for existential risk mitigation, this likely is not the case. (shrink)

Over the past decade, interest in human enhancement has waxed and waned. The initial surge of interest and funding, driven by the US Army’s desire for a ‘Future Force Warrior’ has partly given way to the challenges of meeting operational demands abroad. However the ethical opportunities provided by soldier enhancement demand that investigation of its possibilities continue. Benefits include enhanced decision-making, improved force capability, reduced force size and lower casualty rates. These benefits — and enhancement itself — carry concomitant risks, (...) including morale issues due to tension between enhanced and unenhanced soldiers, the issues of enhanced veterans and ownership of enhanced bodies, challenges to the army’s core values and personal identity issues. A range of measures should be designed to highlight the opportunities offered by enhancement while also minimising the potential risks. This includes providing advice on which areas the army ought to demonstrate restraint in research for ethical reasons. (shrink)

The Eleatic Visitor speaks forcefully when he insists, ‘Necessarily, whenever there is speech, it is speech of something; it is impossible for it not to be of something’. For ‘if it were not of anything, it would not be speech at all; for we showed that it is impossible for there to be speech that is speech of nothing’. Presumably, at 263c10, when he claims to have ‘shown’ that it is impossible for speech to be of nothing, the Visitor is (...) referring back to the Parmenidean puzzles at Sophist 237ff. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:CREATOR AND CAUSALITY: A CRITIQUE OF PRE-CRITICAL OBJECTIONS ANDREW BEARDS University of Oalgary Calgary, Alberta IN SOME QUARTERS arguments ias to the existence or non-existence of God are still regarded as intellectually respectaible. Indeed, interest in such arguments is not restricted to those with a strictly philosophical or theological training. Every so often one may observe some specialist from the physical sciences taking an interest in the philosophical discussion (...) of cosmological issues. Such has been the case with the recent contributions of the physicist Paul Davies.1 However, such contributions are likely to invite from the philosopher the response that the generalized notions which the scientist attempts to transpose from the particular field of his scientific interest are the very notions which feature in the current debates on the philosophy and methodology of the sciences. Such debates bring into question the status of these scientific notions and therefore render any putative generalized or even metaphysical application of them problematic. Discussions of natural theology, then, often appear to be conducted in a manner which tends to take too much for granted with regard to the terms employed. The notion of causality, central to such,argumentation, is a case in point. Often enough a simple ":billiard hall" image of causal interaction seems to he all that one is required to keep before the mind in order to follow the lines of argument involved, he they ~or or aiga.inst the postulation of a First Cause. Thus, in the often referred to r:adio.debate on the existence of God between 1 Paul Davies, God and the New Physics (New York: T'ouchstone Books, 1984). 573 574 ANDREW BEARDS Bertrand Russell and Fl1ederick Copleston, Russell simply averred that he did not feel compelled to accept that a causal chain extended heyond the ·World to some First Cause. For, indeed, if one imagines a line of billiard halls transmitting momentum one to the other, there is nothing unintelligible about picturing a first!billiard hall initiating the process apparently unaided. Hume has surely taught us that much. If one is to heed the present debates raging in that arena known as the philosophy of science (by which term one can understand epistemology, metaphysics and virtually ·any other topic tr:aditiona1ly designated philosophical), then one can.be forgi¥en for asking how the question as to the existence of God could he raised in an intelligiible manner. For if one is to agree with Richa1d J. Bernstein's assertion that contemporary philosophy manifests, in the ma.in, 1a rebellious attitude to the "father figure,, of the methodical Descartes,2 then one can be equally well impressed by the fact that this " rebellious spirit" is no Jess informed iby a respect for the Kantian attempt to descry the parameters of valid human knowing. And was it not the Kantian achievement to have dispelled the oibfuscation of metaphysics, thereby eliminating the grounds which were helieved to have substantiated a rational affirmation of the existence of God? The term 'Pre-Critical ' in the title of this essay is, therefore, intended as an e¥ocation of the Kantian demand for a critical v;alidation of the terms employed in philosophical argumentation. However, I shall attempt to advance the thesis that the Kantian enterprise does not, in fact, result in a happy resolution of the problems which it sets for itself. This is, of course, a thesis which could 'be proposed f.rom a number of divergent philosophical standpoints. It is my intention to argue here, however, that the work of the philosopher Bernard Lonergan provides,a more satisfactory method for the carrying through of the critical endeavour to validate epistemologi2 Richard J, Bernstein, Beyond Objectwism and.Relatwism (Oxford: Basil Blackwell, 1983), p. 18. CREATOR AND CAUSALITY 575 cally the philosophical,statements we propose. I believe it is the merit of Lonergan's work to have developed positions on the hasis of an explication of the exigences operative in criticism itself, such that any criticism of this explication will he rbut an example of an incoherent criticism,attempting to invalidate its own procedures.3 In what follows I shall attempt to develop the above-mentioned argument to the effect... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:610 Feminist Studies 43, no. 3. © 2017 by Raina J. León Pandora’s Box Opens and Terence Crutcher Dies Raina J. León Fresh from the bath, my husband comes nude, beard trimmed, still glistening and pinked. He shares the fullness of his skin, freckles and moles in their constellations. What little fat on his lank jiggles, begs for pinch as he turns to the closet to dig. I (...) am encapsulated by covers. No sleep for hours since I woke to watch the video I couldn’t with him awake. How I watched it, over and over, and knew this might be how I die: a broken-down car, my hands up, helicopters above with a man saying, a real bad dude, must be, and then shot, because Terence is me, like Sandy and Aisha... because just that day, earlier, I was transformed into child, questioned on the body of my work, made invisible and hypervisible, bleeding shadow for another’s feet. One leads to another in a mass of entangled links. Now, he moves. He does not feel the cold I dread out there where reality gnashes. Raina J. León 611 Inside the cocoon, the smell of last night’s tremble sweat, I can imagine entrance into another dreaming, breathe in and out our twining. He slips on boxers, then soft cotton shirt, then jeans. All black, his style. In my mourning, I call him close, and he comes to bed. With his body, he creates another womb as suddenly the weeping starts, says, when you are ready, tell me, because he doesn’t know how the world turns, yet in that moment, there is a hope.... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ad UnguemArmand J. D'Angour vos, oPompilius sanguis, carmen reprehendite, quod nonmulta dies et multa litura coercuit atquepraesectum deciens non castigavit ad unguem.(Horace Ars Poetica 291–94) You, OSons of Pompilius, condemn that poem whichmany a day and many an erasure has not pruned andwhittled down and chastened tenfold to the nail."Censure a poem," Brink paraphrases, "which has not been reduced to right proportions and (when it has been reduced) has (...) not been tested to a nicety."1 Tested, that is, by its author, whose action Horace has been thought here to be likening to the way a sculptor examines a completed work for flaws. Translations of the final line commonly expand the phrase ad unguem to specify such a connotation, often taking praesectum to qualify unguem as in "to meet the test of the well–pared nail."2 But Brink has advanced convincing arguments against the supposition that praesectum qualifies unguem.3 Moreover, praesectum is positioned for emphasis and followed directly by deciens: the words must elaborate the process described by the foregoing coercuit.4Praesectum [End Page 411] thus picks up carmen, and no reference to the artisan's manicure should be supposed.5Ad unguem remains as a self–contained expression, to be understood in its own right.The image introduced in the following lines has been thought to present a deliberate point of contrast in the matter of the sculptor's fingernails:ingenium misera quia fortunatius artecredit et excludit sanos Helicone poetasDemocritus, bona pars non ungues ponere curat,non barbam, secreta petit loca, balnea vitat.(AP 295–98)Because Democritus believes that it's luckier to possess talentthan mere skill, and denies a place on Helicon to sane poets,a good number of artists make a point of not cutting their nailsor trimming their beards, but head for secret haunts and avoid baths.Despite the verbal echo, the change of tone and context at this point rules out any straightforward association of the unguem in line 294 with the ungues in line 297.6 Horace's humorous sketch of those "artistic types" who model their insalubrious habits on a superficial view of Democritean inspiration initiates a new section of the poem.7 It looks forward to a fuller consideration of the relative value of ars and ingenium, about which in due course Horace gives his opinion as follows:natura fieret laudabile carmen an artequaesitum est. ego nec studium sine divite venanec rude quid possit video ingenium; alterius sicaltera poscit opem res et coniurat amice.(AP 408–11) [End Page 412]The question is: Is good poetry due to nature or art?I myself fail to see what artistry can achieve without a rich vein of natural ability,or raw talent without application, to such a degree does the one attributedraw upon the other and make common cause with it.The only other instance of ad unguem in Horace is in Satires 1.5, where the phrase similarly appears tout court, conjoined to a past participle in a construction which parallels praesectum... ad unguem as construed above: interea Maecenas advenit atqueCocceius Capitoque simul Fonteius, ad unguemfactus homo, Antoni non ut magis alter amicus.(Sat. 1.5.31–33) Meanwhile Maecenas arrives andCocceius, and with them Fonteius Capito, a manof such consummate charm that Antony holds none dearer.Whether ad unguem here refers to physical or intellectual refinement (or both), the connotation "to perfection" is evident. Commentators ancient and modern have generally supposed that the metaphor is best explained by the image which Persius, writing around a century later, developed in his First Satire:quis populi sermo est? quis enim, nisi carmina mollinunc demum numero fluere, ut per leve severoseffundat iunctura ungues?(Sat. 1.63–65)"What's the word from the general public? "What else, but thatnow at last there are verses so fluent that no join jars criticalfingernails as they glide across the smooth surface.In commenting on AP 294, Ps.–Acro adduced this precisely evocative idea of "critical fingernails" for Horace's use of ad unguem:"ad unguem": tractum a... (shrink)

The controversy surrounding the use of hydroxychloroquine, an antimalarial drug, for COVID-19 has raised numerous ethical and policy problems. Since the suggestion that HCQ has potential for COVID-19, there have been varying responses from clinicians and healthcare institutions, ranging from adoption of protocols using HCQ for routine care to the conduct of randomised controlled trials to an effective system-wide prohibition on its use for COVID-19. In this article, we argue that the concept of ‘disease public profile’ has become a prominent, (...) if not the sole, determinant in decision-making across various healthcare responses to the pandemic. In the case of COVID-19, the disease’s public profile is based on clinical and non-clinical factors that include contagiousness, clinical presentation and media coverage. In particular, we briefly examine the dangers of a heightened public profile in magnifying the inequality of diseases and undermining three key ethical concepts, namely evidence-based practice, sustainable allocation and meaningful consent. (shrink)

Beyond Agreement addresses the thorny question of how to make interreligious dialogue productive when the religious differences are so large that finding common ground seems unlikely. The book offers a way to think about interreligious dialogue that allows people to stay committed to their own truth as they have come to know it while being open to learning from other religions.

In lieu of an abstract, here is a brief excerpt of the content:Sophocles’ Trachiniae: Some ObservationsD. J. ConacherIn several ways Trachiniae seems almost a textbook of Sophoclean tragedy, so many elements of plot, theme, and even formal structure does it have in common with one or another (sometimes with several other) of the playwright’s works. The deceptive quality of oracles and prophecies, 1 the equally illusory nature of human happiness, the alternation between the familiar, even the domestic (insofar as Greek (...) tragedy can ever be “domestic”) and “the wild country”—the lonely, unknown, and sometimes feral areas of experience “out there”—, 2 even the curious, “diptych” structure of the play, involving the disappearance of a major tragic figure from the action: 3 all these features, so prominent in Trachiniae, are to be found in various other Sophoclean tragedies. Yet in all cases Sophocles uses what appear to be common features in different combinations and contexts to produce strikingly different tragic effects. It [End Page 21] should not surprise us, then, that Trachiniae, despite all these typically “Sophoclean” elements, 4 should turn out to be, if not the most baffling, at least among the most mysterious of his extant works.The key to the full appreciation and understanding of this tragedy lies, I think, in recognizing precisely how the poet interweaves these different elements of plot and theme to achieve, ultimately, a single tragic effect. Ironically, it is the constant alternation of human fortunes, apparent good fortune arising from ill and vice versa, which supplies the cohesive, “sequential” element to the plot. 5 Two essential thematic elements lie behind this alternation. One is the repeated misunderstanding of oracles and other prophetic utterances; the other is the repeated interaction between the protected, domestic sphere and the mysterious, natural (and sometimes magical) world, which threatens its existence. In the deployment of both these elements, the characterization of Deianira, the central figure though not the ultimate focus of this tragedy, is essential. It is through the gentle Deianira that Heracles is twice brought in contact with the savage “outside world” which leads ultimately to his undoing. Thus (as is usual in Sophocles) are the play’s prophecies fulfilled in unexpected and tragic ways. Thus, too, do the gods fulfill the destinies which they have planned through the unwitting cooperation of their pawns.Deianira sounds, as it were, the keynote of the play with her opening words in the Prologue:There is an ancient saying that one may not know the fate of any man, whether it be good or bad, until that man has died. But I, for my part, know, before I come to Hades’ house, that my lot is both grievous and unfortunate.(1–5) 6 [End Page 22]Deianira’s fear of life has begun (as she tells us in her Prologue account) in her maidenhood, with the courtship of the river-god Achelous. Here the three forms in which her monstrous suitor appears—first as a bull, then as a snake with shimmering coils, finally as a man with brow of ox and beard dripping with river’s springs—provide our introduction to the horrors of the untamed world. Heracles, a properly heroic suitor, appears to rescue her. It is significant, however, that the gentle heroine cannot bring herself to watch the struggle between the hero and Achelous, as she sits wrapped in terror lest her beauty should prove to be her bane (24–25). Thus, though threatened, Deianira remains untouched by—and ignorant of—the dangerous world outside.Deianira’s joy (18) at her rescue by Heracles is short-lived. As Heracles’ wife, and mother of his children, she is in constant fear for her absent husband (“each night dispelling last night’s terror with terror of its own,” 30–31) and these very fears are themselves fresh encounters, at one remove, with the savage world of Heracles’ labours. Her wandering husband, too (“like a tiller of a distant field, who sees it only when he sows and when he reaps,” 32–33), must himself seem like a visitor from a distant clime.The opening choral ode confirms the contrast between the world of the wandering Heracles and that of the waiting Deianira. Only the sun can tell... (shrink)

A good illustration of the interpretation of ancient philosophy argued for by P. Hadot in the book reviewed above is provided by the Roman Stoic philosopher Musonius Rufus, the teacher of Epictetus. In the present work A. Jagu supplies a rather brief introduction to Musonius, a French translation of ancient texts reporting Musonius' views, and comprehensive indices. The translation is accurate and reads well. Jagu's notes on the texts are copious, showing Musonius' orthodoxy by referring to the early Stoics and (...) his influence on Epictetus and Clement of Alexandria. Musonius himself wrote nothing, but his opinions were recorded by pupils, in particular by a certain Lucius. The Christian John Stobaeus, in compiling his anthology, incorporated excerpts from Lucius' work, thus saving it partially from oblivion. This means that as far as our evidence for Musonius is concerned, we are largely at the mercy of Lucius' understanding of his master and of Stobaeus' conventional moralistic interests. These factors account for the almost total absence of material concerning logic and physics and the preservation of fairly trivial discussions concerning, for example, food, clothing, furniture, and even beards! More central issues are also touched on--marriage, children, education, should women do philosophy?, exile, etc. If then what survives relates almost exclusively to ethics, it is clear that in any case Musonius subordinated logic and physics to ethics as did classical Stoicism. Apart from what derived from Lucius, a small amount of evidence concerning Musonius and originating elsewhere is preserved in Stobaeus, Plutarch and some other authors, but it does little more than give a somewhat different impression of Musonius than does Lucius. This book, especially the notes, will be of use not only to those interested in Stoic philosophy and its history but also to students of Roman society and politics of the first century A.D., in which Musonius played a prominent role.--Dominic J. O'Meara, Université de Fribourg. (shrink)

This book explores an undeveloped area in postmodern thought: organizational ethics. Ethical debates and analyses usually focus on a particular act or action, an actor, and/or how a secular society should address any of those particular persons or events. In the Post Modern age, ethical decisions and policies are characterized by moral and cultural pluralism. However, there is a second factor that complicates ethical and policy decisions even further. This book argues that in the postmodern age ethical decisions often need (...) to be understood as part of the decision making of organizations and bureaucracies. Organizational decisions often have direct bearing on the choices made by individuals. Two areas that exemplify postmodern issue are the areas of health care and education. For example the decision making of Admissions Officers in American higher education, are influenced by decisions that have been made by the university about the size of the class and the diversity of the class. Health Care organizations make policy decisions that affect every aspect of a patient’s care from admission to treatment and the types of care that are or are not offered. Both education and health care are the object of the significant investment of resources, both areas are value laden in postmodern, pluralistic societies, and yet we do not have a comprehensive method to understand them or evaluate them. This book is of interest to bioethicists, physicians, nurses, health care policy students, educational policy experts, students and government regulators. (shrink)

There is, in the Ramsey Archive at the Hillman Library of the University of Pittsburgh, a note, written in 1929, in Ramsey's hand and mostly in German, consisting of twenty paragraphs the contents...

In this paper the authors argue that research ethics committees should not be paternalistic by rejecting research that poses risk to people competent to decide for themselves. However it is important they help to ensure valid consent is sought from potential recruits and protect vulnerable people who cannot look after their own best interests. The authors first describe the tragic deaths of Jesse Gelsinger and Ellen Roche. They then discuss the following claims to support their case: competent individuals are epistemologically (...) and ethically in the best position to say which risks are reasonable for them, so RECs should be no more restrictive than the “normal” constraints on people taking risks with themselves; RECs do not judge individual competence ; individual liberty is mostly limited by what serves the public interest, and RECs do not determine public interest; RECs may have a paternalistic role in preventing exploitation of competent people vulnerable to the use of incentives, and in protecting the interests of incompetent people; however, the moral and political authority of RECs has not been established in this respect. (shrink)

Introduction -- Tending the dark fire: the Boehmian notion of drive -- The night-side of nature: the early Schellingian unconscious -- The speculative psychology of dissociation: the later Schellingian unconscious -- Schellingian libido theory.

In examining Ennead VI 4[22], we find Plotinus in conflict with modern, i.e., Cartesian or Kantian, assumptions about the relation of soul and body and the identification of the self with the subject. Curiously, his images and exposition are more in tune with Twentieth Century notions such as wave and field. With these as keys, we are in a position to unlock the subtlety of Plotinus' analysis of the way soul and body are present together, with sensation structured through the (...) body and judgment coming from the soul. The problem of the self concerns not only the unity of the self in terms of body and soul, but also how the self is constituted in relation to other selves, both keeping its individuality and sharing its experiences at the same time. (shrink)

There are good reasons for envisioning a global discourse about God, premised necessarily agreed upon perfections considered to be by definition proper to God, and for thinking through the implications of our understanding of God for morality. Philosophically, it makes sense to hold that claims about omnipotence, omniscience, and other superlative perfections are indeed maximal, and define “God” wherever the terminology of divine persons is taken up. Religiously too, it makes sense to assert that a deity possessed of perfections is (...) not just the deity of one’s own tribe or religion, but also the deity of the whole world, whether acknowledged as such or not. This essay delves into the larger set of rich complexities by three moves. First, I look into a single extended historical case of the extension of the discourse about God beyond the Christian West, the discourse on God proffered by Western Jesuit missionaries in India from the sixteenth to twentieth centuries. Second, I place next to that Jesuit learning the instance of a famed Hindu theologian’s discourse on God, God’s perfections, and their moral implications. Third, I briefly step back and assess the dangers and fruitful prospects inherent in thinking about God and morality in an interreligious context. (shrink)

Menander's lost comedyThaiswith its famous protagonist, thehetairalover of Ptolemy I Soter and perhaps Alexander himself, was plainly well known at Rome, and is alluded to several times in Latin poetry of the Augustan and later periods, as Ariana Traill has shown. My purpose here is to argue that the literary characterisation of Thais in Menander's play underlies certain aspects of Lesbia as presented in the poetry of Catullus; that Catullus' poetry uses the plays of Menander has been demonstrated by Richard (...) Thomas, arguing that Catullus 8 shows clear traces of Demea's monologue in theSamia(325–56). (shrink)

The limitation of act by potency, central in the metaphysics of Thom as Aquinas, has its origins in Plotinus. He transforms Aristotle ’s horizontal causality of change into a vertical causality of participation. Potency and infinity are not just un intelligible lack of limit, but productive power. Form determines matter but is limited by recepti on into matter. The experience of unity begins with sensible things, which always have parts, so what is really one is incorporeal, without division and separation. (...) Unity is like the esse of Thomas, since it is the act that makes a thing what it is and has its fullness in God. (shrink)

How do we know that our own actions belong to us? How are we able to distinguish self-generated sensory events from those that arise externally? In this paper, I will briefly discuss experiments that were designed to investigate these questions. In particularly, I will review psychophysical and neuroimaging studies that have investigated how we recognise the consequences of our own actions, and why patients with delusions of control confuse self-produced and externally produced actions and sensations. Studies investigating the failure of (...) this 'self-monitoring' mechanism in patients with delusions of control will be discussed in the context of the hypothesis that overactivity in the parietal cortex and the cerebellum contribute to the misattribution of an action to an external source (). (shrink)